Bread and Puppet Theater

We are going with a crew from the community to see this great show, once again. An annual trip.

For the 38th year, Peter Schumann's Bread and Puppet Theater will return to Theater for the New City December 3-13 with two new works, one for adults and one for Families of all ages.

The adults' show will be "Tear Open the Door of Heaven." A pink and blue puppet show about Heaven and its effects on the Underneath, presented by the practitioners of the brand-new paper maché religion. The play features over life size puppets representing God, his daughter and stepdaughter, a US president and his war-waging office, mountaintop removal protesters, money printing artists and stargazers of the North East Kingdom of Vermont. The six acts of the play are supplemented by six dance interventions performed by the Lubberland National Dance Company, whose members are mostly local volunteers.



The Family show is "Dirt Cheap Money Circus." It features the billionaire bonus celebration dance, the logic of the US Healthcare System, the history of humanity and the removal of a mountaintop, interspersed with appearances by Karl Marx, who confronts the 2009 economic situation with his existential thoughts about money and our relationship to it. As always, there is a live band.



Both shows will be performed by the Bread & Puppet Company and a large number of local volunteers, who will also be part of The Brass Band. The theater will be decorated with the unique Bread and Puppet collection of powerful black-line posters, banners, masks, curtains, programs and set-props. Once again, all pieces will be created by Schumann with input from the company. Both plays will be accompanied by a brass band, singing and miscellaneous gongs and horns. Schumann will sculpt and paint all of the major masks and puppets.

Bread and Puppet Theater is an internationally recognized company that champions a visually rich, street-theater brand of performance art that filled with music, dance and slapstick. Its shows are political and spectacular, with huge puppets made of paper maché and cardboard; a brass band for accompaniment, and anti-elitist dance. Most are morality plays--about how people act toward each other--whose prototype is "Everyman." There are puppets of all kinds and sizes, masks, sculptural costumes, paintings, buildings and landscapes that seemingly breathe with Schumann's distinctive visual style of dance, expressionism, dark humor and low-culture simplicity.